Venue partner for Phase 1 WIP sharing; ongoing relationship for Phase 2 technical showcase through Studio Lab membership
Residency partner for Phase 1 R&D, did move.ai R&D at ARC with Punjabi Roots & Lucie Lee Sykes supporting as cultural consultants
Tour producing partner (fiscal sponsor, creative production, tour producer)
R&D partner for spatial audio research, motion capture access and final residency with planned prototype showcase (rearranged to FACT Liverpool due to team illness)
Cultural consultant partner, ensuring authentic representation of South Asian movement and memory
Cultural partner; Bradford-based festival celebrating global majority voices and community storytelling
Mentorship and accessibility guidance (Clemence Debaig)
Funder (Experiment strand, Phase 1 R&D)
Funder (National Lottery Project Grants, Phase 1 R&D)
Place-maker partner for Echoes of Satisaras
Clemence Debaig is a dance artist, XR designer, and creative technologist whose practice examines how technologically mediated interactions shape control, empathy, and intimacy. She is Artistic Director of Unwired Dance Theatre and founder of Unwired Studio, working with telepresence, networked wearables, motion capture, and VR. Her work has been presented at Jacob's Pillow (USA), Maison de la Danse (France), The Cockpit (UK), and beyond, with collaborations including Mavin Khoo (Akram Khan Dance Company), Alexander Whitley Dance Company and Pell Ensemble. She is also a lecturer and researcher at Goldsmiths, University of London, teaching motion capture, digital embodiment & immersive theatre.
Website: https://www.clemencedebaig.com/
Instagram: @clemencedebaig_art
Kashish Gakhar is a creative technologist, movement director, curator, and illustrator. She creates embodied experiences that blend classical Indian dance, sound, and creative coding to explore memory, internalised barriers, and cultural storytelling. Her practice draws on a background in art direction at the global advertising agency Hakuhodo, where she developed narrative-led campaigns for clients including Honda and KOSÉ. She has presented work at Frameless Immersive Gallery, Copeland Gallery, Royal College of Art, The Royal Central School of Speech and Drama, BBC Television Centre, and Tsinghua University, China. In collaboration with Indigenous communities, she explores new technologies to support the representation of intangible cultural heritage in immersive media. She is developing a motion-capture archive of South Asian dance forms to document and translate embodied movement into digital space.
Website: https://kashishgakhar.framer.website
Instagram: @katterpil
Ben Freeth is a sound artist, sound designer, researcher, and educator whose practice explores the intersection of listening, space, and memory. Their work uses sound as a mode of inquiry – capturing sonic artefacts such as field recordings, oral histories, and environmental textures, and reconfiguring them to create immersive environments. These spatial audio experiences invite audiences to explore new relationships between place, memory, and presence. They have developed a diverse body of work spanning installations, sculpture, and multichannel composition, presented nationally and internationally with North Pennines National Landscape (UK), Supersonic Festival (UK), ZKM (Germany), the Institute of Cellular Medicine at Newcastle University (UK), and the New Interfaces for Musical Expression conference at the Brisbane Conservatorium (Australia).
Website: http://benfreeth.com/